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      • Poetry: Victoria Wiebe
      • Poetry: Eric Zadrozny
      • Creative Nonfiction: Ryan Bates
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      • Experimental Writing, Film Sound: Rachel Ganzewinkel
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      • On the Night Before Your Father's Funeral, By Katharine O'Reilly
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      • Student Writer in Residence: Steve Slowka
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      • ALFRED R. POYNT AWARD IN POETRY >
        • Poynt Award: Emma Croll-Baehre
        • Poynt Award: Robyn Obermeyer
        • Poynt Award: David Witmer
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      • Ficton: Sam Boer
      • Ficton: Sydney Brooman
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      • Experimental Writing: Brittany Renaud
      • Short Film: Dejvi Dashi
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      • Poetry: Michelle Baleka
      • Poetry: Jenny Berkel
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      • Poetry: Nathan Little
      • Poetry: Erica McKeen
      • Poetry: Kaela Morin
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      • Screenplays: Nathan Wright-Edwards
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      • Judges: Issue 8
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      • Poetry 8: Danielle Bryl-Dam
      • Poetry 8: Leah Kuiack
      • Poetry 8: Jameson Lawson
      • Poetry 8: Maxwell Lucas
      • Poetry 8: Kaela Morin
      • Poetry 8: Joanna Shepherd
      • Fiction 8: Mason Frankel
      • Fiction 8: Rylee Loucks
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      • Screenplays 8: Amanda Inglese
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      • Experimental 8: Lauren Lee
      • Experimental 8: Kirah Ougniwi
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      • Plays 8: Camille Inston
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    • Contributors: Issue 9
    • Fiction 9: Chris Chang
    • Fiction 9: Tegan Wilder
    • Fiction 9: Hyacinth Zia
    • Creastive Nonfiction 9: Aidan Gugula
    • Poetry 9: Rachel Fawcett
    • Poetry 9: Matthew Simic
    • Experimental Writing 9: Shauna Ruby Valchuk
    • Screenplays 9: Naomi Barghiel
    • Screenplays 9: Alicia Johnson
    • Screenplays 9: Keaton Olsen
    • Screenplays 9: Rachel Yan
  • Issue 10
    • Contributors: Issue 10
    • Experimental Writing 10: Akshi Chadha
    • Experimental Writing 10: Adelphi Eden
    • Experimental Writing 10: Nicole Feutl
    • Experimental Writing 10: Isabella Kennedy
    • Experimental Writing 10: Christopher Paul
    • Poetry 10: Meaghan Furlano
    • Poetry 10: Li-elle Rapaport
    • Fiction 10: Meaghan Furlano
    • Fiction 10: Carly Pews
    • Creative Noniction 10: Nicole Feutl
    • Creative Noniction 10: Courtney WZ
    • Screenplay 10: Margaret Huntley
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 PORTFOLIO: CAMELLA DA EUN KIM

Picture
mis·un·der·stand·ing I, II, III
(Installation view)
Picture
mis·un·der·stand·ing I, 2012
Inkjet print, double matte mylar 3 mil
25 x 37"
Picture
mis·un·der·stand·ing III (black and white), 2012
Inkjet print, double matte mylar 3 mil
25 x 37"
Picture
mis·un·der·stand·ing III (orange), 2012
Inkjet print, double matte mylar 3 mil
25 x 37"
Picture
mis·un·der·stand·ing I, II, III (Detail)
Picture
Lost in Translation, 2011
Video installation
11 minutes 39 seconds (loop)
Picture
Lost in Translation, 2011
Video installation
11 minutes 39 seconds (loop)
ARTIST STATEMENT
My work uses language (in the form of text) as a medium for exploring the barriers encountered in the search for social acceptance and a meaningful identity by those who are considered outsiders and are excluded from the mainstream in the society to which they belong. I also explore the role that language plays in generating the sense of social alienation that derives from the gaps between cultures, even as it generates a sense of solidarity among those who speak the same language. In particular, the main objective of my work is to get the viewer to connect with the frustrations that accompany the process of assimilation and the formation of a socially acceptable identity among those whose language and culture keep them outside the mainstream of society.

My strategy in my most recent works, especially with the series of prints that I am submitting for Occasus, is to create deliberate misunderstandings and miscommunication through intentional mistranslation and other such manipulations as word replacement, image distortion, and highlighting forms and shapes in texts. The ultimate goal is to raise the visual and aural representations of language to their most abstract form. This is to show how easily language can be manipulated and how equally easy it is for meaning to be lost as the result of minor alterations in the surface forms of communication.  



Camella Da Eun Kim was born in Busan, South Korea and moved to Canada when she was eleven to learn English. She has recently finished her final year of Honors Specialization in Visual Arts and Media, Information & Technoculture at the University of Western Ontario. A newcomer to Canada herself, Kim often uses language (in the form of text) as a medium for exploring the barriers encountered in the search for social acceptance and a meaningful identity by those who are excluded from the mainstream of society. In her most recent works, she creates deliberate misunderstandings and miscommunication through intentional mistranslation and other such manipulations as word replacement, image distortion, and highlighting forms and shapes in texts. Kim works in a range of media including audio, video, electronic devices such as scanners and computer graphics, and computer printouts.


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Department of English and Writing Studies
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